Looks, colours, sounds.
The musicality of the language wraps the spectators of the Teatro Vittoria. From Iran comes one of the most intense films of the 2015 competition: Dokhtar… Madar… Dokhtar… (Daughter… Mother… Daughter…) from director Panahbarkhoda Rezaee. The dark profiles of women in chador will remain in the mind and in the heart, black columns that stand out on the burnt ground. Persia, today Iran, Afghanistan, Pakistan, Syria, Turkey. Eloise Barbieri has travelled it in Sui miei passi, viaggio nell’altro Afghanistan and lived in the yurts of the Afghans of Pamir, taking back home the taste of mint tea and the smell of opium. Contradictions. But the musicality of that language, and the colours of those fabrics, and the daze of those horizons at 14000 meters of altitude fascinate the packed theatre. Then more images and languages from Kirghizstan and Tibet. Gtsngbo (River), of Sonthar Gyal, is the intense story of family relationships. The delicate look of a child on a world that changes. Looks, colours, sounds…
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